A  friend once said to me that the difference between writing and drawing is that  you can never draw the same thing twice, as it will always be different in some  way. He used sparrows as an example. Despite humanity’s contentious  relationship with sparrows, I have always found them quite endearing. This work  was made up of an old surveyor’s map of North Queensland, cut into small square  pieces. Sparrows were drawn onto every square, each one slightly different to  the next. The images were embellished with an assortment of anecdotes such as: He didn’t want to go to bed because he knew  she was there; There were no results  upon Googling his name; and Her heart  was more dislocated than her elbow.
          
          Much  like ‘Hemry Didn’t Care for Domestic Animals’, this work was too  self-indulgent. The incorporated text anthropomorphised the sparrows with  statements that truly had nothing to do with them, or their plight.